We took rest on a mountain pass
Even above the soaring lark.
by Matsuo Basho
Matsuo Basho (1644 – 1694) was the most famous Edo period poet and a haiku master.
To read more poems, click here.
We took rest on a mountain pass
Even above the soaring lark.
by Matsuo Basho
Matsuo Basho (1644 – 1694) was the most famous Edo period poet and a haiku master.
To read more poems, click here.
This post is about creativity, constraints and making do with what you have.
I had forgotten how dark it gets in this country after years of living in Switzerland. Last year doesn’t really count as re-acclimatization to Scandinavian darkness as we moved in at the end of October, had plenty of things to manage because of the move, and then went to Australia mid-December.
Darkness is so oppressive now; it feels like we’re living in a perpetual twilight zone. Even at noon, there’s not enough light to take decent photos. Outside, that is.
I use to go for a walk at noon, to get some fresh air and daylight. Especially daylight. I always preach creativity thrives on constraints, and so I’m forcing myself to find something to photograph during my walks. Sometimes I bring my Canon 5D if there’s enough light to give it a try; otherwise, I always have my iPhone.
On some overcast days, this really becomes an exercise in creativity as the whole world seems to be blanketed in 50 shades of gray (pun intended).
The salvation then is in post-processing. I like to keep things simple. The photos above were taken with an iPhone and processed quickly with Snapseed. That’s it; it took me only a couple of minutes. No masterworks, I’m the first to admit. But much better looking than the original photos.
And since creativity thrives on constraints, I’m considering doing a 365 project, when you take and post one photo a day, every day, for a whole year. January 1st is around the corner, a good date to start a 365 project, don’t you think? It should be fun.
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Lo, ice and water joyfully
Are reconciled to one another.
Matsunaga Teitoku
Matsunaga Teitoku (1571 – 1654) was a Japanese poet who founded the Teitoku (or Teimon) school of haiku poetry.
To read more poems, click here.
The task is always to write every single piece like it’s your only one. It has to have that energy. Use your best material now. Just squander yourself. Enjoy it. I don’t want to read anyone’s tepid writing.
Parul Sehgal
The quote comes from this excellent interview with Parul Sehgal, book critic at The New York Times, and former editor and columnist at The New York Times Book Review.
One of the few things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now. The impulse to save something good for a better place later is the signal to spend it now. Something more will arise for later, something better. These things fill from behind, from beneath, like well water. Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.
Annie Dillard
Annie Dillard, along the same lines.
As creators, we’ve all been there, showing up to do the work, and nothing happened. Going through the motions, following the ritual (you do have a ritual?), yet the creative spark is gone, not even smoldering ashes left. The empty page.The blank canvas. The feared creative block. “Is it all gone? Will I ever be able to write anything? What’s happening?” That’s scary. I know it because I’ve been there. Too often.
One of the tricks I’ve learned to jumpstart my writing when I feel stuck is visual writing prompts. I would pick a random photo and force myself to write the beginning of a story based on the image. Something short and easy to get me going. You can see an example at the end of this post.
I try not to use one of my own photos but something completely different, to force my brain into something new. A site such as Unsplash, offering free photos for download, is great for the purpose. (I may want to use a text in the future, so it’s good to know I won’t need to worry about licensing).
This gets me started at any time, just because I don’t have any expectations to produce something extraordinary or brilliant. I’m just supposed to write a few words; I can do that.
However, more often than not, as my writing starts to flow, it takes me in a new direction. I’m suddenly drawn into a new story, and curiosity pushes me to continue instead of returning to what I was working on. It’s good fun, and the temptation is to go with the flow. The brain is skilled at taking the path of the least resistance, that old rascal.
This is where discipline comes in. I can’t afford to start on a new story; I have to finish what I’ve started before going in a new direction. It’s tempting to abandon the work when the going gets tough and respond to a new project’s sirens’ song. But all this approach does is make sure I don’t finish anything, ending up with many great starts with no ends. Ask me how I know.
This is where a slush file comes in handy. What’s a slush file, you ask. This is where all good but seducing ideas go. Got a great idea for a different project? I write it down and return to the project I was working on. Once I’ve finished it, I’ll visit the slush file and pick a new project.
My slush file is very straightforward: a bullet point list in Apple’s Notes app, points grouped by project. Something like this:
I keep the Notes app easily accessible on my phone’s home screen. I don’t need to search for it, or open folders and files. As soon as I get one of those tempting ideas, I just write it down quickly in Notes, and resume whatever I was doing at the time.
I leave you with an example of a visual prompt. I found an everyday photo of a garage on Unsplash; these are a few story beginnings I wrote. I can tell you that I’ve used my slush file after this exercise. (Yep, I love a good zombie story, I admit. And terriers called Jexy.)
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Oh, grave-mound, move!
My wailing is the autumn wind.
Matsuo Basho
Matsuo Basho (1644 – 1694) was the most famous Edo period poet and a haiku master.
To read more poems, click here.
Ah! I take my breakfast,
Viewing morning glories.
Matsuo Basho
Matsuo Basho (1644 – 1694) was the most famous Edo period poet and a haiku master.
To read more poems, click here.
You don’t need an expensive camera or a fantastic subject to take awesome phone photos.
These are the only things you need:
1) A camera with you at all times. This is very likely your phone. As the saying goes, the best camera is the one that you have with you. And…
2) An open mind. If you expect to take photos only when you found a “nice” subject, you’ll end up with banal photos.
Be open and learn to see, really see, what’s right in front of you, without any preconceptions. As Thoreau said, The question is not what you look at, but what you see.
I’ve taken all these images with an iPhone while in the car wash. No fancy camera, no “beautiful” subject. Just the beauty of the everyday. Look for it.
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To read more posts on photography, click here.
Continuing the theme from my previous post on mobile phone photography, I wanted to show more photos taken with an iPhone and share a few tips to help you take better photos with your phone.
These are some of our vacation shots from Fregate Island (Seychelles) in the summer of 2018; they are all taken with an iPhone. Considering how the world looks like today, Covid-19 et al., I’m grateful for all experiences we’ve had; it’s something to hold on to these days. I’m sure we’ll be able to travel the world and only worry about photo quality at some time in the future. Maybe not in 2021. But in 2022? We need to keep dreaming about better days.
All photos in this post are taken with an iPhone X and the only processing is using the phone’s auto-enhance function i.e. what most people would do with their images. No filters, no post-processing. No expensive, heavy camera, tripods, or filters.
In full light, there’s hardly any need for further processing unless you’ve taken a fancy to one filter or another. Just point and shoot.
Using the Portrait mode: good background blur, perfectly fine photo.
Choosing the Portrait mode in your camera app gives your photos a nice background blur. It was meant for shooting portraits, but you can do so much more with it. Try it!
Using the Panorama mode – not bad! The horizon is slightly uneven (maybe the photographer wasn’t fully awake, maybe it’s the camera, who knows?), but the photo is acceptable, considering the alternative. I.e., carry a heavy camera to the beach, and do a lot of post-processing on your computer, stitching together the panorama. Did you try creating a panorama on your phone?
One of the rare shots with me in it. You know, the shoemaker’s children …luckily, not a bad hair day! Tips: taking photos of other people taking photos is always fun.
Some animal photos. The last one, the skink, would have been better with a blurred background (using the portrait mode), but animals usually don’t wait until you set up your camera. Shoot it, or you lose it. Overall, not bad considering animals rarely pose and are always on the move.
And lastly, two photos in low light – taken at 6am and 6pm. All phone cameras struggle on these conditions of course. But in this size for a photo album, Facebook or Instagram they are perfectly fine.
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To read more posts on photography, click here.
Will you not call on me in my loneliness?
A paulownia leaf has fallen.
Matsuo Basho
Matsuo Basho (1644 – 1694) was the most famous Edo period poet and a haiku master.
To read more poems, click here.
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