The sandy spits, the shore-lock’d lakes,
Melt into open, moonlit sea;
The soft Mediterranean breaks
At my feet, free.
Dotting the fields of corn and vine
Like ghosts, the huge, gnarl’d olives stand;
Behind, that lovely mountain-line!
While by the strand
Cette, with its glistening houses white,
Curves with the curving beach away
To where the lighthouse beacons bright
Far in the bay.
Ah, such a night, so soft, so lone,
So moonlit, saw me once of yore
Wander unquiet, and my own
Vext heart deplore!
The murmur of this Midland deep
Is heard to-night around thy grave
There where Gibraltar’s cannon’d steep
O’erfrowns the wave.
In cities should we English lie,
Where cries are rising ever new,
And men’s incessant stream goes by;
We who pursue
Our business with unslackening stride,
Traverse in troops, with care-fill’d breast,
The soft Mediterranean side,
The Nile, the East,
And see all sights from pole to pole,
And glance, and nod, and bustle by;
And never once possess our soul
Before we die.
Not by those hoary Indian hills,
Not by this gracious Midland sea
Whose floor to-night sweet moonshine fills,
Should our graves be!
Some sage, to whom the world was dead,
And men were specks, and life a play;
Who made the roots of trees his bed,
And once a day
With staff and gourd his way did bend
To villages and homes of man,
For food to keep him till he end
His mortal span,
And the pure goal of Being reach;
Grey-headed, wrinkled, clad in white,
Without companion, without speech,
By day and night
Pondering God’s mysteries untold,
And tranquil as the glacier snows––
He by those Indian mountains old
Might well repose!
Some grey crusading knight austere
Who bore Saint Louis company
And came home hurt to death and here
Landed to die;
Some youthful troubadour whose tongue
Fill’d Europe once with his love-pain,
Who here outwearied sunk, and sung
His dying strain;
Some girl who here from castle-bower,
With furtive step and cheek of flame,
’Twixt myrtle-hedges all in flower
By moonlight came
To meet her pirate-lover’s ship,
And from the wave-kiss’d marble stair
Beckon’d him on, with quivering lip
And unbound hair,
And lived some moons in happy trance,
Then learnt his death, and pined away––
Such by these waters of romance
’Twas meet to lay!
But you––a grave for knight or sage,
Romantic, solitary, still,
O spent ones of a work-day age!
Befits you ill.
So sang I; but the midnight breeze
Down to the brimm’d moon-charmed main
Comes softly through the olive-trees,
And checks my strain.
I think of her, whose gentle tongue
All plaint in her own cause controll’d;
Of thee I think, my brother! young
In heart, high-soul’d;
That comely face, that cluster’d brow,
That cordial hand, that bearing free,
I see them still, I see them now,
Shall always see!
And what but gentleness untired,
And what but noble feeling warm,
Wherever shown, howe’er attired,
Is grace, is charm?
What else is all these waters are,
What else is steep’d in lucid sheen,
What else is bright, what else is fair,
What else serene?
Mild o’er her grave, ye mountains, shine!
Gently by his, ye waters, glide!
To that in you which is divine
They were allied.
Matthew Arnold (1822 – 1888) was an English poet and cultural critic.
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